Posted by Dale Townshend on May 31, 2012 in Uncategorized tagged with
Are you an international student who is interested in pursuing a course of PhD study in the Gothic at Stirling? Are you a post-doctoral researcher with an interest in Gothic? Stirling University is pleased to announce the advertising of 8 Fellowships and 10 International Scholarships, along with various Collaborative and Partnership Studentships
Interested parties can find further details
here.
Fellowships
Prospective candidates are advised to identify and approach a mentor in advance of submitting their application and may approach academic colleagues directly without going through the impact email account.
Prospective candidates will be invited to apply by submitting the following via Talentlink, the online HR system:
a covering letter
a copy of their CV
a research proposal
a letter of support from the School
The deadline for submission of applications will be 5pm on Thursday 19 July 2012.
International Scholarships
The University of Stirling International Scholarship will fund the difference between overseas and Home/EU fees. To be eligible applicants are expected to have secured funding to cover the cost of Home/EU fees.
Applications process
The deadline for applications will be 22 June 2012.
We expect there to be significant interest in these studentships. Initial enquiries will be filtered through the Research and Enterprise Office.
Candidates will apply through the standard online PhD application process. Applicants will be required to indicate how they will fund fees and subsistence elements. Schools are urged to pursue alternative routes of funding for high calibre students who have not secured the necessary funding through other means.
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About the Author – Dale Townshend
Dale Townshend has written 86 articles on The Gothic Imagination.
Although my particular field of research is British Gothic writing (romances; chapbooks; drama; poetry) of the late eighteenth and early nineteenth centuries, I am also interested in manifestations of the Gothic mode well beyond this temporal and geographical limit. My other research interests lie in the general field of critical theory, but with a particular focus upon French poststructuralism (Roland Barthes; Michel Foucault; Jacques Lacan; Jacques Derrida; Julia Kristeva; Gilles Deleuze; Felix Guattari) and its legacies in more contemporary European theorists such as Slavoj Zizek and Giorgio Agamben. Some recent publications include four volumes, co-edited with Fred Botting, in the Gothic: Critical Concepts in Literary and Cultural Studies series (London: Routledge, 2004); a monograph The Orders of Gothic: Foucault, Lacan, and the Subject of Gothic Writing,1764–1820 (New York: AMS, 2007); “The Haunted Nursery, 1764-1830,” an essay on the Gothic in children’s literature of the late eighteenth- and early nineteenth centuries published in The Gothic in Children’s Literature: Haunting the Borders, edited by Anna Jackson, Karen Coats and Roderick McGillis (New York: Routledge, 2007); and a scholarly edition of Mary Anne Radcliffe’s 1809 Gothic romance Manfroné: Or, The One-Handed Monk (Chicago: Valancourt Books, 2007). Forthcoming publications include Gothic Shakespeares, a collection of critical essays co-edited with John Drakakis (Routledge, 2008) and a chapter entitled “‘Love in a Convent’: Or, Gothic and the Perverse Father of Queer Enjoyment” in Queering the Gothic, edited by William Hughes and Andrew Smith (Manchester University Press, 2008).
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