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Dracula in the Avant-Garde, or, How Jess Franco got into MOMA Thumbnail

Dracula in the Avant-Garde, or, How Jess Franco got into MOMA

Posted by Glenn Ward on April 10, 2014 in Blog, Glenn Ward, Guest Blog tagged with , ,

In this blog I use the gothic sexploitation specialist Jess Franco as a case study in the vexed issue of cultural hierarchy. This is a large topic for a small space, but my central interest is Franco’s frequent brushes with legitimate, high-brow and arthouse cinema. Whether you regard his flirtations with reputability as sincere, tongue-in-cheek or opportunistic may depend on your cultural politics as well as on which part of which version of which film you are watching. Even then, the generally ragged quality of the films makes Franco’s position on elite culture difficult to establish a