gothic

Review: Horror: A Literary History Thumbnail

Review: Horror: A Literary History

Posted by Carly Stevenson on January 21, 2017 in Blog, Carly Stevenson, Reviews tagged with , , , ,

According to Reyes, the ‘transmedial, transhistorical and marketable genre’ (p.8) of horror is ‘largely defined by its affective pretences’ (p.7). That is to say, horror is inextricably bound up with the sense of disgust, fear and shock experienced by the reader. This is where horror diverges from its bedfellow terror. As the first two chapters of this book elucidate, the terms horror and terror were used interchangeably in seminal Gothic documents such as Edmund Burke’s A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful, Anna Laetitia Aikin’s ‘On

Gothic Art (from the Gothic MOOC) Thumbnail

Gothic Art (from the Gothic MOOC)

Posted by Peter Lindfield on August 08, 2016 in Peter Lindfield tagged with , , , , , , , ,

These four videos mark the conclusion of the AHRC-funded MOOC at Stirling on eighteenth-century Gothic across the arts. The videos examine the multifaceted expressions of the Gothic aesthetic in the visual arts. You will also find a concluding message from Dale Townshend and myself at the bottom of this page. If you have any questions regarding the videos, the content, material, or ideas presented in these or any of our MOOC's sections available on the Gothic Imagination website, please do not hesitate to get in contact with us. From September 2016 Dale Townshend will be contactable at

Gothic Interiors (from the Gothic MOOC) Thumbnail

Gothic Interiors (from the Gothic MOOC)

Posted by Peter Lindfield on August 01, 2016 in Peter Lindfield, Uncategorized tagged with , , ,

This set of three videos considers the development, appearance and furnishing of the Georgian Gothic interior as exemplified especially in British country houses.   If you are interested in eighteenth-century Gothic architecture, interiors and furniture, you may be interested in my forthcoming monograph, Georgian Gothic: Architecture, Furniture and Interiors, 1730–1840, to be published in later October 2016 by Boydell & Brewer. The book will be launched at Strawberry Hill House, Twickenham, on 17 November 2016. You can register to attend at: https://www.eventbrite.co.u

Gothic Literary Aesthetic II (from Gothic MOOC) Thumbnail

Gothic Literary Aesthetic II (from Gothic MOOC)

Posted by Peter Lindfield on July 16, 2016 in Peter Lindfield tagged with , , , , ,

Hello, purchase and welcome to the videos from the third week of our MOOC, The Gothic Revival, 1700–1850: Interdisciplinary Perspectives. We’ve got plenty of material in store for you, in a session devoted to an exploration of the Gothic literary aesthetic beyond the example of The Castle of Otranto.  In these videos we will take you through some of the aesthetic foundations of early Gothic writing, including an account of the distinctions between horror and terror, the importance of Shakespeare to the Gothic aesthetic, and the culmination of the so-called ‘first wave’ of Gothic

The Gothic Literary Aesthetic I (from Gothic MOOC) Thumbnail

The Gothic Literary Aesthetic I (from Gothic MOOC)

Posted by Peter Lindfield on July 05, 2016 in Peter Lindfield tagged with , , , ,

Hello, price and welcome to the archive of our videos from the second week of our AHRC-funded MOOC, salve  The Gothic Revival, 1700-1850: Interdisciplinary Perspectives. In the first session we started to make inroads into the manifold meanings of the term ‘Gothic’ in the eighteenth century, including the term’s associations with the ancient Gothic tribe, its perceived associations with British history, the architecture of the middle ages, literature, fashion and modern sub-culture, and more. In this session we are going to be paying sustained attention to a short text that is often he

What is Gothic? (from Gothic MOOC) Thumbnail

What is Gothic? (from Gothic MOOC)

Posted by Peter Lindfield on June 28, 2016 in Peter Lindfield tagged with , ,

Welcome to The Gothic Revival, treat 1700-1850: Interdisciplinary Perspectives. The videos included here, cialis and those in my subsequent five posts, store are drawn from a Massive Open Online Course (MOOC) designed and delivered by me and Dale Townshend at the University of Stirling, and funded by the Arts and Humanities Research Council as part of the larger project entitled Writing Britain’s Ruins, 1700-1850: The Architectural Imagination. The MOOC ran for six weeks from 29 February 2016. These videos offer exciting and intensive explorations of the Gothic aesthetic in Bri

Review: ‘Reimagining the Gothic: Monsters and Monstrosities’ symposium, 6th May 2016 Thumbnail

Review: ‘Reimagining the Gothic: Monsters and Monstrosities’ symposium, 6th May 2016

Posted by Amy Bride on May 19, 2016 in Reviews tagged with , , , , ,

‘Monster’ is a jointly allusive and ubiquitous term. For gothic scholars, ailment what constitutes monstrosity is a vast and varied spectrum of physical abnormality, capsule genetic hybridity, moral corruption, and everything in between. Yet for almost 200 years perceptions of the gothic monster in the popular imagination have been dominated by Mary Shelley and her life-creating doctor who has transcended literary boundaries to become a cultural icon in his own right. The task of re-analysing the gothic monster, both in conversation and contrast with Shelley’s creation, was that addres

Conference Registration Reminder:  Gothic Feminism, University of Kent Thumbnail

Conference Registration Reminder: Gothic Feminism, University of Kent

Posted by Matt Foley on April 29, 2016 in Blog, News tagged with , , , ,

Registration Reminder: Gothic Feminism: The Representation of the Gothic Heroine in Cinema University of Kent   (Registration deadline: 18th May 2016)   Keynote Speaker: Dr Catherine Spooner (Lancaster University) Registration is still open for Gothic Feminism: a conference on cinema's Gothic heroines taking place at the University of Kent (please see conference programme below).   To register, please go to: http://store.kent.ac.uk/browse/extra_info.asp?compid=1&modid=1&deptid=26&catid=158&prodvarid=207&searchresults=1   The confer

CFP: GANZA’s third biennial conference, January, Auckland Thumbnail

CFP: GANZA’s third biennial conference, January, Auckland

Posted by Matt Foley on April 27, 2016 in Blog, News tagged with , , , , ,

Call for Papers Gothic Afterlives: Mutations, Histories, and Returns The Gothic Association of New Zealand and Australia (GANZA) welcomes papers for its third biennial conference, to be held at Auckland University of Technology, New Zealand, on 23-24 January 2017. The conference will be organised in the spirit of the Association. GANZA is interdisciplinary in nature, bringing together scholars, students, teachers and professionals from a number of Gothic disciplines, including literature, film, music, television, fashion, architecture, and other popular culture forms. It is the aim of the

Monstrosity, False Twins, and the Bush Thumbnail

Monstrosity, False Twins, and the Bush

Posted by Madelyn Schoonover on April 15, 2016 in Blog, Madelyn Schoonover tagged with , , , ,

In part two, I discussed Jessamy's fractured identity in The Icarus Girl, and how the patriarchal modes of colonizing England and Nigeria both hinder Jessamy's ability to assert a stable identity. I then introduced the ambiguous spirit TillyTilly as a productive presence in Jessamy's life that helps her begin to find self-confidence. Though Jessamy initially finds comfort in TillyTilly’s ability to transgress identity, as the novel progresses, TillyTilly becomes a much more fixed and dangerous thing. In keeping with the traditional Gothic trope of doubling, TillyTilly becomes a mons