Posted by Tracy Fahey on January 07, 2008 in Guest Blog, Ms Tracey Fahey tagged with
Lismore Castle is a fine example of Irish Gothic. Although, like many examples of Gothic revivial architecture in Ireland, it is a remodeled version of a medieval castle, Lismore is very close to the English Gothic architectural style. Lismore came into the possesion of the 4th Duke of Devonshire in 1748, through marriage, and it was his grandson , the ‘Bachelor Duke’, 6th Duke of Devonshire who carried out substantial Gothic renovations from 1812 to 1858/ He employed a team of Gothic experts to remodel both interior and exterior including Joseph Paxton, later architect of Crystal Palace and Augustus Welby Pugin, who spearheaded the Gothic architectural revival in England. Of particular note is the ecclesiastical-style dining room designed by Crace and Pugin, which features a splendid wooden ceiling, specially designed wall-paper with Gothic motifs, wood-panelling and an ornamental chimney-piece. It is really text-book Gothic, an interior which would fit in perfectly in English Gothic country houses. The only regional note struck is in the Irish mantel carving which reads ‘Céad Míle Fáilte’ (a hundred thousand welcomes).
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About the Author – Tracy Fahey
Tracy Fahey has written 11 articles on The Gothic Imagination.
Over the last 17 years I have worked in teaching the history of art, design, architecture, interiors and the contemporary visual arts. Although most of my post-graduate research to date is based on the interface of design history/education, my current research interests centre on the intersection of architecture and literature in Irish Gothic. At the moment I am exploring a morass of folk-tales, mythology, social history, architectural history, interior design, poetry and fiction which provide different perspectives on the interaction between the written and the visual arts. What I offer in the blog is a few snapshots of these Irish Gothic intersections, a humble piece of the gigantic jigsaw that is Global Gothic.
On a personal note, I have been a devotee of the Gothic tradition since my early years. In true schlock-horror fashion, my family home is built on an old graveyard, my grandfather was a cemetery keeper, and my back garden abuts on a charming 18th century graveyard.
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