“It’s Out There, Somewhere…”
Posted by Stuart Lindsay on June 24, 2010 in Blog tagged withRacial camouflage, transparency and selection in Predator and Predator 2 As an industry that has become a global influence on issues of race and culture, Hollywood’s stratifying of power relations between American national, immigrant and other through film is significant. The Predator series of action/horror films offer a unique insight into American film’s fixation, fixing and ultimately, its destruction of hybrid national identity. In each Predator film, the titular creature’s hunted prey, usually a group of ethnically diverse targets, is one of emulation: a chameleon act through c
